Weather permitting, we hope to bring the collection over tomorrow. We’ll see.
One of the major misreadings of Ong’s work, I think, is the idea that he believes something just magically happened, that somehow a switch in the human brain was flipped from “oral” to “literate.” A good close reading of Orality and Literacy, let alone a braod reading of Ong’s work, will show that it’s not this simple. To begin with, this oral/aural to visual shift is itself tied to conceptions of space, but also involves issues of presence and a number of other things. Any way, I found the following passage interesting, not because any of it is new to me but because of how it works as a synopsis of Ong’s work. The passage is from “From Allegory to Diagram in the Renaissance Mind: A Study of the Significance of the Allegorical Tableau.” (The Journal of Aesthetics and Art Criticism 17.4 (1959): 423-440), an essay few of Ong’s critics have read:
With the invention of printing, this notion [of the book] itself undergoes metamorphosis. Rather than a record of something one had said, a book now became an object, belonging more to the world of things and less to the world of words [....] Book titles change from addresses to the reader to become labels like the labels on boxes, for, with the spread of printing, books become items manufactured like tables and chairs. As objects or things, they obviously ‘contained’ knowledge. And since knowledge could be ‘contained’ in books, why not in the mind as well?
At this point the whole intellectual world goes hollow. The mind now ‘contains’ knowledge, especially in the compartments of the various arts and sciences, which in turn may ‘contain’ one another, and which all ‘contain’ words” (16).
The whole essay is quite worth reading. It’s one of those key texts Ong critics ought to read before leveling their charges. In this article, Ong makes it clear that the cognitive shifts which he discusses aren’t a “great leap” (to use Daniel’s term) but a slow development through time connected with but not necessarily the cause of changes in communication.
Noting that Copernicus’s De revolutionibus was published at the same time as Ramus’ work, he writes:
“The rise of the notion of system as applied to the possessions of the mind is only one in a kaleidoscope of phenomena that mark the shift from the more vocal ancient world–truly an audile’s world–to what has been called the silent, colorless, and depersonalized Newtonian universe” (25).